Their meeting, like the one with Lomax, initiates another trajectory for Muddy: she stays home looking woeful in her apron while he’s on the road and sleeping with multiple women. Here his life is shaped as still more iconic moments: he recruits harmonica player Little Walter (Columbus Short) by challenging him to play with him on a street corner, he sings on a sidewalk to attract the attention of his wife to be, Geneva (Gabrielle Union), who leans out her apartment window to flirt (“You trouble, you know that?”) and invite him inside. That meeting, over-explains narrator Dixon, leads Muddy to think his voice is “too big for that shack,” as Muddy walks off down literal roads and railroad tracks, winding his way to the big city (and not mentioning that he’d already been to St. When he plays it back, Muddy looks perplexed: “Feel like I’m meetin’ myself for the first time,” he mumbles. The 1941 moment looks iconic: Muddy plays his guitar and wails a bit, while chickens pick through dirt near his shack and Lomax leans into his recording machine, stowed in his car trunk, and smiles enthusiastically. Muddy’s trek to Chicago from Mississippi is initiated here by an encounter with Alan Lomax (Tony Bentley). The universe for this mattering is broadly sketched. This means, per those same conventions, that no matter how crowded the movie becomes with potential protagonists and storylines - and it does become very crowded - he provides an engaging interesting throughline, a figure whose fate seems to matter, if only by sheer force of will. It helps Cadillac Records that the primary figure in this early family configuration is Muddy Waters (Jeffrey Wright), blessed as he is with charisma and an abiding self-confidence. That means, per movie conventions, they will fight and make up, nurture and betray, and succeed and fail as a unit that is never entirely convinced of their unity. The entire Chess catalogue of music is currently owned by Universal Music Group and managed by Geffen Records.“They was a family now,” observes Willie Dixon (Cedric the Entertainer) of the artists who form the bluesy, Chicago-based Headhunters in 1947. Today, the building is the home of Willie Dixon's Blues Heaven Foundation. Others who recorded there included Howlin' Wolf, Muddy Waters, Willie Dixon, Little Walter, Bo Diddley, Chuck Berry, Etta James, the Flamingos, the Moonglows, the Dells and the Ramsey Lewis Trio. The Rolling Stones also recorded at Chess Studios on two other occasions. It was immortalized by the Rolling Stones' in "2120 South Michigan Avenue," an instrumental recorded at that studio during the group's first U.S. Most famous was 2120 South Michigan Avenue, from 1956 to 1965. During that time, it occupied several locations on Chicago's South Side. Founded and operated by Leonard and Phil Chess, two Jewish immigrant brothers from Poland, the company produced and released many rock 'n roll singles and albums and was described as "America's greatest blues label." Chess was founded in 1950 and closed in 1975. But Chicago was the home of Chess Records, an American record company that specialized in blues and rhythm and blues and later expanded into soul music, gospel music, early rock 'n roll and even jazz and comedy recordings and forged a relationship with Sam Phillips, who created the Memphis sound. Memphis, Tennessee, is credited with launching rock 'n roll and bluegrass and jazz and rhythm and blues and the musical careers of Elvis Presley and Johnny Cash.
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